tisdag 9 mars 2010

Rob talks ‘Remember Me’ With the Montreal Gazette


MONTREAL — The con­sen­sus is that Robert Pat­tin­son has mas­tered the James Dean art of brood­ing as the sullen poster boy for the lat­est generation.

Pattinson’s heart­throb sta­tus has been defined by his por­trayal of the con­flicted vampire-in-recovery Edward Cullen in the pop­u­lar Twi­light film series, based on the Stephe­nie Meyer novels.

There was Twi­light in 2008, New Moon last year, and Eclipse is set for release, to a great deal of antic­i­pa­tion, on June 30. Break­ing Dawn, the finale, is expected to be released as two movies over the next few years.

Read the rest after the jump



In other words, the British actor is com­mit­ted to the Edward sulk for at least another few films. But that doesn’t mean he’s become self-entitled or sat­is­fied with his accomplishments.

His lat­est effort to expand on his brood­ing hori­zons is Remem­ber Me, which opens Fri­day. Pat­tin­son plays Tyler, a rebel­lious young New Yorker who clashes with his over­bear­ing father (Pierce Bros­nan) in the after­math of his brother’s sud­den death.

Only when Tyler meets the charm­ing Ally (Emi­lie de Ravin) does he find some peace of mind and a rea­son to believe, which may be threat­ened by Ally’s pro­tec­tive Man­hat­tan cop dad (Chris Cooper).

To say that Pat­tin­son as Tyler rede­fines James Dean’s Rebel With­out a Cause angst is not an exag­ger­a­tion, although the actor expresses some reser­va­tions about the assessment.

“I think it’s a fairly typ­i­cal state to be in,” Pat­tin­son notes of his character’s clas­sic rebel­lious pos­tur­ing. “And yes, I think there’s that ele­ment, but I was also inter­ested in the arro­gant things about Tyler.”

The good news for Pat­tin­son is that he could pro­tect the del­i­cate tone and tex­ture as a pro­ducer on the film. But he’s hes­i­tant to take credit.

“I’m kind of embar­rassed about the pro­duc­ing thing, because I wasn’t really act­ing like a proper pro­ducer,” he con­fesses. “I only came on after film­ing to help make sure the prod­uct was the prod­uct we all wanted to make at the end.”

Indeed, Remem­ber Me is pre­cious to him, so he wanted to ensure the project

wasn’t mod­i­fied or dimin­ished in the post-production phase.

“The way Tyler reacted to spe­cific things seemed very relat­able to me,” Pat­tin­son admits. “I hadn’t seen a char­ac­ter like it in 100 scripts, so when it came avail­able between film­ing New Moon and Eclipse, I went for it, because it seemed like a per­fect fit.”

He has lots of choices avail­able to him, thanks to Twi­light. Before Twi­light, the London-born actor was intro­duced to the mod­el­ling world by his mother, who worked for an agency in Lon­don. He was suc­cess­ful as a teen and found time to get involved in a neigh­bour­hood the­atre group, while per­form­ing pop music as well.

Sub­se­quently, a TV and movie agent liked what he saw, and signed Pat­tin­son. As good for­tune and tim­ing would have it, Pat­tin­son even­tu­ally won a high-profile cameo in Harry Pot­ter and the Gob­let of Fire, por­tray­ing the doomed Cedric Dig­gory. Shortly after the release of that pic­ture, he was being dubbed the next Jude Law.

But that’s not why Twi­light direc­tor Cather­ine Hard­wicke selected Pat­tin­son to play Edward oppo­site Kris­ten Stewart’s Bella in Twilight.

“Their chem­istry was instant,” Hard­wicke recalled just before the release of the first film. In fact, Stew­art and Pat­tin­son con­nected so con­vinc­ingly, they have been linked romantically.

What Hard­wicke didn’t men­tion is that a deter­mined Pat­tin­son had to endure mul­ti­ple audi­tions to beat out more than 5,000 other actors. He has that kind of drive.

Still, Pat­tin­son says he never antic­i­pated the over­whelm­ing, and con­strict­ing, atten­tion that arrived with his Twi­light role. But he says he doesn’t take roles “that are polar oppo­sites of Edward Cullen,” though he appre­ci­ates the change of pace.

Cur­rently, he’s enjoy­ing his against-type per­for­mance in Bel Ami, an R-rated drama with a racy sex sequence, due in the­atres next year.

“I think there’s a kind of irony in Bel Ami, because a lot of the women are attracted to my char­ac­ter,” Pat­tin­son says, smil­ing ever so slightly, “and then he kind of screws them over and steals their money, which I think is quite funny com­pared to my Twi­light character.”


Source Via RPLife Via thinkingofrob

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