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tisdag 11 september 2012

Jackson Rathbone wants to get behind-the-scenes of filmmaking

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From Examiner :

Twilight Saga star Jackson Rathbone is ready to take his career in Hollywood in a different direction.

While at the 2012 MTV Video Music Awardslast week in support of the release of the new The Twilight Saga: Breaking Dawn - Part 2 trailer, Rathbone spoke up (in the attached video interview with VH1) about fatherhood and his plans to take a more behind-the-scenes role in movie-making.
"I'm going to go take some time to go to do some writing. Kind of gotta like hole myself up kinda producing a lot more as opposed to acting. I'm still acting, but I really want to get behind-the-scenes," he explained.
Rathbone's done some such work before on his web series Aim High and the film Girlfriend, but for the most part his seven years in Tinseltown have been on-screen rather than behind the lens. Think this is a good career move for Jackson Rathbone?

måndag 24 januari 2011

'Twilight' Cast News Wrap: 'Breaking Dawn' Has a Resident Wig Designer?


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There are a couple of additional Twilight cast news updates to share, so here's the usual quick wrap of the latest.
For starters, a few Twilight stars are currently at the Sundance Film Festival in Park City, Utah. Those castmembers would be Charlie Bewley (promoting his movie Like Crazy), Elizabeth Reaser (promoting Homework), and Chaske Spencer (for Winter In The Blood). More information on that can be found over at Twilight Moms.
Meanwhile, Jackson Rathbone and the 100 Monkeys appeared on MTV's The Seven, as expected, Friday afternoon, and the video from that appearance is attached in the sidebar. Cee Lo Green from the Eclipse soundtrack ("What Part of Forever") also appeared on that show recently to promote his latest song . . . you probably know the title. That interview is attached as well.
Next up, Xavier Samuel ("Riley" in Eclipse) is featured as a model in GQ Australia's "Eight Best Looks of the Season" photo feature, which is pretty self-explanatory. You can check out the awesome slideshow for that here. And, hey, if anyone's looking for an actor to portray Peter Parker in a new Superman reboot, well, here . . .
Finally, The Hot Hits reports that Judi Shekoni ("Zafrina") is something of an entrepreneur and that she doubles as a wig designer. "It has been amazing. We have wigs that Beyonce wears and Tyra Banks wears . . . I moved back to England and studied for an MBA at Westminster University. I did it for a while but acting came calling again and I decided to move back to L.A." Contact Music has a few more details on this.
As was discussed a few days ago, Shekoni is also set up to be the host of a coming reality TV series. So, she's a busy girl.
What's important about this, though, is that the Breaking Dawn set has a resident wig designer on-hand this go-round. Perhaps this'll mean the hair situation in Breaking Dawn will be better than the last three (each of which has caused its own individual groan)


Examiner

Kristen Stewart's Viewpoint on 'Twilight' and 'Breaking Dawn' Seduction


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As you knowKristen Stewart is the cover girl for the February, 2011 issue of Vogue. For the feature, she was interviewed by Eve MacSweeney (you can read it here, if you haven't already).
As an extra treat for readers, an interview with MacSweeney about her experience approaching her latest latest subject, Kristen Stewart, has been unveiled at Vogue.com in their "Reporter's Notebook" special.
One of the most interesting parts of the interview was when MacSweeney talked about Kristen Stewart's viewpoint of the Twilight series and her responsibilities to that fanbase.
Kristen takes her responsibilities to Twilight fans incredibly seriously, because she knows how important it is to them that the Bella they see on-screen is true to the character in the books, which she reads and rereads on set. She was joking about the honeymoon scene in Brazil, which she had just come back from filming. As she tries to seduce Edward (Robert Pattinson) in a sexy negligee, the crew was urging her to “shake it up a bit.” But she said, “I was like ‘Aaaah!’ I couldn’t do it. It would have gone against everything I’ve ever been used to playing with her.”
That last bit is definitely going to draw out some opinions from the fanbase. There's a moment in Breaking Dawn when Bella has to pull out all the stops, so to speak . . . but Stewart's take seems to be that this scene shouldn't turn into something unfaithful to the character's prior behaviors. Your thoughts on this interpretation?

söndag 21 mars 2010

First full-length college course on 'Twilight' approved, and other fans will be able to participate

A few weeks ago, we learned that Cambridge University was to be introducing the Twilight saga into its Faculty of Education's curriculum so as to better understand children and their relationship to current books. The series has also made its way into middle and high school course plans, onto English reading lists, and beyond.

Now, the first full-length college course on the Twilight series has been approved, according to Dr. Natalie Wilson, the Cal State San Marcos Women's Studies professor who'll be teaching it.

Wilson, who is currently penning an analysis of the Saga's impact on popular culture, revealed that the course will be entitled "Twilight: The Texts and the Fandom" and that fans outside of the classroom will be able to participate in the course in a lot of ways as well. Actual students will be granted general credit for taking this class.

Wilson plans to devise the course materials as a mixture of the books, derivative theory-based works, the films, parodies, and the social and fan internet community. Students of the class will be asked to develop reactions and critiques to these materials in one of several ways (including through parodies, skits, blogs, or texts).

The course will also be unique in that it will involve the internet fan community in two ways. First, fans who are not a member of the Twilight class will be able to follow along and participate through Dr. Natalie Wilson's blog. Second, members of the classroom will be encouraged to reach out into the Twilight fan community and learn more about the blogs and news sources that are out there.

You can see Wilson's blog (the location of said updates) here.

In her blog, she posted about the curriculum approval, saying the following:

I can hear all those naysayers that claim Twilight has nothing to teach us shrieking in dismay “Oh, it’s the end of the academy!” Well, the same arguments were made when Harry Potter, Buffy, and Star Trek courses made it onto the curriculum. As such courses have proven, examining popular texts and popular culture has much to tell us about our historical epoch, about race, class, gender, sexuality, philosophy, literature, etc.

Wilson considers herself a critical fan, in that she may point out the controversy in some aspects and messages of the Saga, but she states that she is a fan and finds the series to have both positive messages and culturally subsversive ones

Examiner

onsdag 17 mars 2010

Taylor Lautner to appear on 'Live with Regis and Kelly' to promote 'The Twilight Saga: New Moon'


Next Monday, The Twilight Saga: New Moon and The Twilight Saga: Eclipse star Taylor Lautner will be heading to Live With Regis And Kelly to promote New Moon's release to DVD.

In New Moon, Lautner portrays "Jacob Black," and the role has landed him a spot on the cast list for several projects (with the number of them growing, it seems, every day) ever since.

His film Valentine's Day also recently made its way to theaters, so chances are he'll also talk about that for a spell.


examiner

måndag 1 mars 2010

Exclusive interview with Robert Pattinson! Rob talks Remember Me, Bel Ami, and what makes him happy!


Yesterday, press junkets were held for Remember Me with Robert Pattinson, Emilie De Ravin, and Chris Cooper for the upcoming romantic drama Remember Me. Since Rob was there to talk about Remember Me, information about Twilight was limited.

Was there a time where you were sitting with Alan Coulter and the producer and something clicked for you? Can you talk about why you were attracted to this character, and about taking that step to produce?

Robert Pattinson: Well, the producing thing. (laughs) I’m kind of embarrassed about the producing thing because I wasn’t really acting like a proper producer. I only really came on after the shoot just to kind of help Alan and Nick make sure that the product was what the product in which we all wanted to make in the end. It was the summer after the first Twilight thing. I read it then and I met with Alan and Nick. I thought they were really great, and I talked to them for hours about it. I think basically what I commented to them about was, what shocked me was I was reading a ton of scripts and it just didn’t fall into any, the way the dialogue was written and the plot was structured, it didn’t fit into any kind of normal category. It didn’t seem very formulaic. I had just read tons and tons of formulaic scripts in one genre or another and it was just such a relief to find that. There was also something about Tyler, the way he reacted to things seemed very relatable to me, and I hadn’t seen another character like it in like 100 scripts. So that’s why when the period came up between New Moon and Eclipse, we only had two months, you can’t really do that much, it’s difficult to find a movie which can fit in such a short period. It seemed like the perfect fit.

He’s a rebellious character, especially against his father. Were you attracted to that idea?

Pattinson: I mean, I don’t know if it was so much about just the rebellion that interested me. I liked how it seemed like Tyler didn’t really know what he was rebelling against. It seemed like no matter what his father was like, no matter what everyone around him is like, he’d still be rebelling. There was one interesting thing, I liked how he wasn’t fighting against everybody, he only chose to fight against his father. I think it was a pretty broken family to begin with, and I think he just takes out all of his rage on his father because his father is the only one who can take it. I mean if he tried to attack his mother, she’d probably end up killing herself or something. She’s too wounded to be able to take that. I don’t think it’s particularly typical rebel. It just comes in fits and starts all the time, so I think he’s kind of faking it. I think what he’s really rebelling against is himself.

Were there any scenes that were cut from the movie that you wished stayed?

Pattinson: I don’t know, I haven’t seen the final cut. (laughs)

What was your favorite scene to film, then?

Pattinson: I like the scene where Tyler confronts his little sister’s bullies. Basically because I kind of fancy which I would have myself just kind of being the tough guy. Actually there was more of a take that was cut out, or they didn’t use. When I pushed the little girls desk that was bullying her, and the first take I pushed it too hard and she fell on the floor and the desk on her. She looked absolutely terrified after, and it just became this turn into a psychopath. (laughs) And they had to cut it out, because they were like “you wouldn’t just go to jail for vandalism, you’d go for child abuse.” (laughs) That would really change the story. That was quite fun.

Both characters seem to really be embracing life, and I think audiences will really come away with that. What do you think is the overall feeling around love. What will people learn from watching this film?

Pattinson: I think one of the things, which I always liked about it, is that he doesn’t. Like when you meet someone who you feel whatever for, it doesn’t necessarily mean that that’s a finish line, and that’s like “oh you’ll be alright now afterwards.” I think that worked in the relationship with Allie and Tyler. I think it’s to show that its sort of ok to have, if you just have one moment of happiness, where you can feel that you’re happy, even if it just lasts for a minute. It’s worth a lot. Because I think people now, everyone does all of these things because they think they should be happy like all the time. Doing therapy, and taking anti-depressants and all of these things. If you’re happy all of the time, it’s difficult to acknowledge when you actually are happy.

What makes you happy?

Pattinson: I don’t know. It’s like these weird little things. It’s like what I was trying to put across in the movie, when funny little things happen, it’s not just meeting Allie, it’s all of these things kind of melds together and it hits you from left field, and you’re just like “oh yeah, I’m happy” (laughs)

This movie is so steep. The locations are amazing in the film, and it feels so authentically New York. What’s interesting to me is so much of the cast aren’t New Yorkers and don’t have a New York accent, and you’re Brooklyn accent is on point. I wonder if, working on that, what kind of research you did, or if you knew a lot about New York in 2001. And what it was like to film in the streets of New York?

Pattinson: My sister lived in New York for like 5 years and I used to go visit her all the time. I don’t know. When I read the script there seemed to be a sort of voice that was just there as soon as you read it. I’ve never had a dialect coach or anything. Ironically I’ve only had a dialect coach for this film I’m doing now, which I’m doing now in an English accent. (laughs) I guess I’ve forgotten how to do an English accent.

But what was it like for you to film in Queens, at NYU, what was that like?

Pattinson: It was nice. Obviously it was great for doing stuff at NYU, you’re filming at NYU, which is perfect. I like this bar, I went in there a few times before we starting shooting. That’s not really research. (laughing) Oh yeah I just went to a couple of bars. (laughs)

So that was a sum total of your New York research?

Pattinson: (laughs) No, I mean it was nice. I was sort of staying, it’s difficult to go out and stuff there at the time. I’ve gone out more in New York since. There’s funny little things which happened, experiences which I had in New York which were put into the script. Like a friend of mine, the whole fight in the beginning, how that was all set up, it happened to a friend of mine the day before we did the rewrites to the script. We were down in Alphabet City, and this guy jumped out of the car with a little mini baseball bat and just hit my friend in the face. The whole thing. It was literally the day before. The whole thing was put into the movie. (laughing) Annoyingly, I didn’t react in the same way. (laughing)

You ran?

Pattinson: (laughing) I didn’t see what was happening until it was too late. (laughs) Even when the police asked me, they asked all the people around to give a testimony. The police looked at me and was like “oh it’s alright you don’t have to give one”, and it was because of the Twilight thing. I was like “no, I want to give a testimony!” (laughing) “I want to be a witness!”

Alan spoke a lot about your focus that you had to maintain while shooting because of the constant paparazzi attention and the screaming fans. What was that like for you to shoot such an emotional movie under the eye of people Twittering about it, and people screaming at you?

Pattinson: It’s like the first two weeks were kind of crazy, because I was all around NYU and Washington Square park and there’d be tons of people around anyway. I think it was annoying people as well, that all of these crowds came and disrupted peoples days, so that was really difficult at the beginning. But, I think after that you just get used to it. You just block certain things out. I was trying to figure out a way to use the sort of rage that was built up, but you couldn’t really use it for that character. If the same thing had happened during this movie that I’m doing now, it would have been perfect and I could have gone around hitting paparazzi and stuff and it would have been great because I would have been staying in character. (laughs) But it didn’t really work for Tyler, he’s not that kind of guy.

Do you see yourself trying to sort of make a big gap between Twilight and everything else you do so people realize there this…something so different from the phenomenon that everybody focus on?

More to you…

Pattinson: No, I don’t really focus on trying to do it, I don’t think. I pick scripts the same way, I think, that I’ve always done. I barely like anything, and so it’s kind of easy to pick your jobs. The things which I’m signed onto now are all completely different. Like I’m playing a white Comanche in one thing and the parts completely in Comanche. Bel Ami is, I thought there was a kind of irony in Bel Ami as well, because a lot of the women are attracted to this character and then he kind of screws them over and steals their money and stuff. (laughs) Which I thought was quite funny compared to the Twilight character. (laughing) It’s kind of the polar opposite. It wasn’t intentional, I just thought Bel Ami was very funny, and it’s a very interesting character. With Remember Me, I’d never done a simple story before, and it’s not that simple, but its playing a normal guy and trying to relate to things on a normal level it’s kind of relief in a lot of ways.

It reminded me of James Dean on a slight, with the rebel without a cause. Did you think of him in sort of a classical way? When you said he’s rebelling against himself, that this is just someone who’s just someone who’s sort of in a fury about the way the world is.

Pattinson: I think it’s a fairly typical state to be in. I think there’s that element, but I was also interested in the kind of, in Tyler there was a lot of elements of sort of arrogance things about him, which I thought were quite interesting. To have a loss in your family, and then I think a lot of the fighting in his family is because he feels like the attention has kind of gone off of him a bit. You have these petty things, which turn you into this iconic rebel or whatever, and it’s just based on these silly things, kind of like almost despicable emotions that you have about it. I tried to make that apparent in Remember Me. There’s a reason why James Dean stereotype is so common, especially in actors, I think. I think its pretty real. It’s also an ideal for young guys I think. I think, anyway. Because as soon as you stop struggling against something, what have you got to do? That’s the whole point being young, struggling against things.

Your chemistry with the younger sister character was so strong. Can you talk about what you had to do, and if there was anything different you had to do finding that with a child actor?

Pattinson: She did everything; I mean completely. On the first day I met her. Me, Alan, and Emilie were sitting around discussing our scenes together and she hadn’t really said anything, and I kind of asked just to be nice. I was just like [ducking his head down and talking just above a whisper] “so, you know what do you think about it?” And she’s sitting there with her pencil and engaged in this whole diatribe of her characters back story and everything, and in the most interesting way. And she’d be writing notes, about all of the stuff we were saying, like quoting what we were saying. She’s phenomenal. She’s going to be a massive actress, I think. She’s the best improviser I’ve ever met. You can literally say anything to her, and she’ll completely stay in character. Even if the camera is not on her, she’ll stay completely in character the whole time. Also, she’s no actressy as well. She’s kind of like one of those weird, hyper-intelligent, hyper-mature kid. Then I saw her with her little friends and just like a little girl when you see her with her friends. I just don’t understand how that happens at all. She’s so easy to act with, you don’t have to do anything, just look at her. It’s the first time since the day I began acting where I just feel completely unselfconscious, because I could feel that she wasn’t at all and it rubs off on me. I love when she was like “you’re so retarted” (laughs) That’s just an 11 year old girl thing to say.

How was it to work with Emilie?

Pattinson: She’s great, yeah. And completely different to what I…what I thought was going to be cast.

Are you a fan of LOST?

Pattinson: I’ve never seen it

What are your thoughts on the Breaking Dawn being two films?

Pattinson: I really don’t mind either way.


Examiner
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