Visar inlägg med etikett On the Road Cannes 2012. Visa alla inlägg
Visar inlägg med etikett On the Road Cannes 2012. Visa alla inlägg
söndag 23 mars 2014
måndag 10 mars 2014
lördag 8 februari 2014
måndag 17 juni 2013
New/Old Kristen's interview In Maxima Magazine (Portugal) #OTR Cannes 2012 Tnxs to @PtTwilight
Kristen Stewart
A new dawnYoung, very young, with a maturity drawn by experience and wisdom. We found her between Twilight adolescence and adulthood novelty. Breaking Dawn: part 2 is coming. By then On the Road...
(By Paulo Portugal, in Cannes)
Kristen Stewart four years ago, she could never anticipate the turmoil that barely expects to sign the contract to start with Robert Pattinson, the couple romantic of The Twilight Saga, based on Stephenie Meyer’s books. Despite this relationship so hyped life in real life a moment of impasse motivated by mutual infidelities, Kristen and Robert are destined to embark on joint promotional campaign in Breaking Dawn: part 2, the final chapter in the franchise.
This girl precocious talent, born and grow up in Los Angeles 22 years ago, was anything but alienated what was happening in the middle of the film. As her parents both worked in films and television, the constant visits to the sets shooting were part of her life. It was therefore natural that lived to 11 years relevant experience in the first film The Safety of Objects, in the company of Glenn Close. Sooner demonstrated tremendous expressive availability however used the creepy Panic Room, playing the daughter of Jodie Foster.
Before reaching maturity, had the privilege of being shaped by Sean Peen in masterpiece about the fury of living called Into the Wild. Until the age of 18, she was presented in the role that would change her life. Then begin the euphoria of gothic romanticism that had spawned many clones.
Here we come to Breaking Dawn: part 2, now after the birth of Renesmee, the daughter of Bella and the vampire Edward Cullen, a time when the couple will face the wrath of the Volturi clan. Even with supernatural beings of their own new species, Bella fulfil the most important challenge of her life: to defend the daughter that you guess a glorious epic end to the series.
Of course, her career is not limited to Twilight and the headlines in the media. Because soon after the sequel should assume it’s the role in Snow White and the Huntsman, in which guesses will prolong diversity between blockbusters and challenges more independent. One goes through the expected participation in On the Road, the adaptation to the Brazilian Walter Salles made the legendary novel by Jack Kerouac. It was, indeed, the purpose of this film that we had the opportunity to interview Kristen Stewart during their world premiere in Cannes, and confirm how your life is marked by a before and after Twilight.
There are awkward moments in an interview, in which case the opposite of schedule. Instead of meeting with a media icon cautious, sensitive to certain issues and little available, we found a young casual in jeans and a T-shirt emblazoned with the logo of the pop band Blondie.
Visibly attacked by a violent cold, nasal voice, but without it affecting a speech fluent and intelligent.
Welcome!
I apologize but I am very congested. I got sick as soon as I arrived in Cannes. But I'm feeling a lot better now, thanks.
You must be accustomed to all this madness around you. Do you like giving interviews?
Of course it's different for each movie, but I think that it completes the process. And I have more and more fun. To be honest, I often only think certain things when someone asks me a question.
Being invited for "On the Road" was a dream come true?
It was my favorite book. I was 14 or 15 years old when I read it. In a sense it represents a stage of our life when we choose who is our family and who are our friends. It celebrates the fact that we establish new values and priorities in our life. It may seem obvious to say this, but life is not easy.
How do you feel about the arrival of "Breaking Dawn part 2" and the end of this franchise?
I didn't want it to go away. But I've lived with it so many years that I feel some pleasure to move on. Sometimes it happens the opposite; we're making a movie for 5 weeks and we keep the feeling of wanting more. In the case of "Twilight". I think I did the best I could and now its time to move on. However, I'm proud of what I did and all my colleagues.
In emotional terms, how would you define this experience?
It is a saga that touched me deeply. In this case, I can't choose the words well. because it was all very emotional. It is something that stays there, between the heart and the stomach. It is at the same time something spiritual and also physical. I was really lucky, it was nothing I had planned. I assume this projects because I feel some emotional connection with them. In "Snow White and the Huntsman" I'm proving myself at the same time that I keep credibility of the franchise. This without losing the credit of the independent cinema as it happens now with "On the Road".
Do you think that it is hard to keep a position between the industry and the side of being more independent?
I don't want to belong to an entertainment industry, neither I want to inculcate something to sell to people. So I don't really feel interesting, I think that my characters are more interesting than I am.
The truth is that people find you very interesting. It was, moreover, because of this franchise that we became na actress long recognized. Don’t you get scared when people chase you because of Twilight? What do you feel in this moments?
The reason why I like what I do is because there is na energy that crosses ourselfs when we do something with someone we love. Ew can be alone in a room e laugh at something that's funny, bu it will be definitely different if there is someone in the room with us - there we will be rolling around laughing. Fortunately, I’m in a rare position where I feel very appreciated. Being able to share this with someone is something unique. Being able to be less intimate with the public that with the director or with actors or even in na interview. I would be craz if I don’t feel affected with the possibility to share this feeling with so much people.
So people that can not define limits don’t worry you…
I focus much more in people that like me than in people that are less well-intentioned. It is still crazy when I’m on tour or in a Twilight set. For those who are outside it is more delusional than it really is. The secret is to walk always really fast. But for mim it’s all ok…
With this mediatic madness that you are target, do you feel that you can not live the type of liberty that other people have?
In reality, I feel free to do everything that is in my head. I imagine that I protect myself a little, but I don’t feel private to do anything. It’s truth that it took a long time to establish limits. I mostly feel that I was far from my ideal. I felt that I could not keep that rationality. But, now, I know exactly what I want to do. And I think that it is a madness when people find interesting to sell themselfs. There are people that can sell personalities. I don’t know how they believe it. I’ll never do that.
And you are still very young to don’t feel always in the clouds. About that, who makes you feel that your feet are in land?
You, the press… (laughs)
(laughs) Really? You are joking…
It’s funny, because you think that actors don’t like doing interviews. Sometimes I only think in somethings when you do a certain question. And thins is someting that i don’t talk with anyone else, it’s someting that I develop only during interviews. Of course that I have a good affective basis, I have a family that is very united. Saying that they support me very much can be a cliché, but it’s true.
At what point it’s difficult to manage your personal life and the mediatic attention over you and Robert? Can you have time for yourselfs?
As I said, I don’t feel private of anything. I do what I want.
But we have the feeling that the security that you talked did not became arrogance. It was a difficult process?
It was not easy. It a process of learning, testing on the basis of the trial and error. I began very soon, but I tried to deepen it on the Twilight set. Now that I think about that, I think that at the age of 17 it’s a bit soonto start thinking about me and to analyze my setps.
Kristen has started to work really early. Do you remember when this cinema experiments started to became more serious?
At the beggining I thought it was just a job. I admired my parents, that were fascinated for movies. What I wanted was that adults spoke to me. That's why I went to sets and wanted them to give me attention.
Is there a movie that helped you in that decision to be an actress?
Yes. A Woman Under the Influence, by John Cassavetes [1974].
Have you ever thought how would your life be if you weren´t an actress?
I really don´t now what to say. I think that I would have to go back to that choice to understand.
What's the most precious thing you take from Twilight?
Hummm... Interesting. It's hard to be specific. It were four years of my life. Now, you've got me unprepared... Every day I thought I could do better that I did the day before. The truth is that I end to feel that in each movie. At the end, it was another movie too...
Do you think that helped you to grow up? As a woman, as a human being?
Of course. It helped me in everthing I've done. I've been there so long, but that characters remain with us. I think some of the films affected me more than others, but my choices were always so rewarding that it's hard to choose one.
Bruce Springsteen has a music called Born to Run, in which you have to run to, finally, be able to walk at sun. Do you like most to run or to walk at sun?
It really is a perfect theme for On the Road. At some time, in our life, we have to walk at sun. We can't be permanently seaching. That's why this insatiable men's life who couldn't walk at sun endend up, sometimes, in a tragic way. Fortunatly, my character lived until 80, had four weddings and a beautifull daughter. Yes, I think that at some time, we have to settle down... Although, I'm not old enough to answer very wisely to that question...
Rob And Anna In same Issue:
Tradução e adaptação: TP (por Anne Almeida, Sara Almeida e Vânia Custódio)
Tnxs for sharing to PtTwilight
lördag 4 maj 2013
tisdag 23 april 2013
(Rob Mention) New #OTR Kristen Interview With El Pais (Spain)
- How does one put themselves in the shoes of a fictitious character but based on a real person?
The responsibility must be double, as you have to do justice to the book and to the spirit of the actual Beat Generation.
"Responsibility is the word that better describes it. That's how I felt when I was shooting this movie. I read the book when I was 14 and I can say it was the first time I enjoyed a book. Thanks to it, I realized I liked reading, and it also made me discover other authors that have really left a mark in my life. The book was the start of my adolescence, that moment full of emotions, passion and strong beliefs".
- There's lot of sex and drugs in the movie. Up to what point were you against facing those scenes?
"It didn't make me uncomfortable at all. I felt secured and protected. I felt like I owed it to the character. I'm very different from her, but I knew I had to lose all the inhibitions to do a good job. And I'm a very introspective person, whereas Marylou is much more open. I didn't mind the nudity and drugs. Actually, to be honest with you, I was almost looking forward to it...God, this is going to be great for your headline [smiles]".
- Would you say that what the characters experienced was more transgressive than what people do today?
"I don't know. Maybe doing drugs and having promiscous sex is considered more sordid today than in the 50's. I'd say that, for those characters, it was a way to fully express their life."
- Do you share that urge to live to the fullest?
"I think it's a fundamental feeling. That's why the book managed to connect many readers over the decades. It is usually liked by people who realize that their values, priorities and limits are different that those of the majority. That's something I join in."
- How do you live to the fullest with everybody's eyes on you?
"It seems impossible from the outside. But apart from when you're promoting, I feel completely free to do what I feel like doing. If you're true to yourself, there's nothing to be ashamed of. Whatever if people see you. They keep asking me what I feel, being I'm a role model of conduct for many girls and that stuff. I answer that if you want to be a role model you have to be true to who you actually are. If you think of how you would like people to perceive you, you're lying....and you're never going to be a model of anything."
- Aren't you afraid of fans turning their back at you at this new stage?
"It's not my problem. I do what I want and what I like. I'll say it again, the most important thing is being honest with yourself. If you try to be someone you're not, you'll end up being a combination of things that don't match together and being nothing..."
- But the risk of alienating your teen fans is something that must cross your mind when you agree to take part in a move like On The Road.
"I'm not aware of that. I got involved in this movie before the Twilight success broke out. I know you won't believe me, because it's what the entire world says, but there's no hidden tactic behind my decisions, even though everything seems planned. With Snow White and the Huntsman it must have looked like I was voluntarily distancing myself from Twilight, and that I'm winking at the indie audience with this movie. But it's not like that, I know it's difficult to believe but I'm being honest with you."
- Who drives your decisions then?
[hesitates] Sometimes it's about choosing characters that are strong women. I think we need more women like that now."
- Do you feel relieved now that you said goodbye to Bella?
"That's what everybody assumes, even though actually I really enjoyed Twilight. It's true that I could have lost my mind, but luckily it didn't happen."
- What are you talking about?
"The cinema is an odd experience, where you share great intimacy with thousands of people even if you don't know them. And with Twilight, it wasn't thousands, but millions of people. If such an experience doesn't affect you at all, you have a problem".
- We might get the wrong impression, but you seem intimidated by premieres and red carpets. Is it shyness or annoyance?
"It's not that I don't like it, it's just that is still shocking. What can I do? I feel uncomfortable in places where hundreds of people are looking at me. I often have to repeat myself 'focus, don't let your head wonder to other places'. I find it very easy to withdraw into myself and forget about the rest".
- You've been making movies since you were 9 and your parents are in the business. Do you think it helped you to take Hollywood less seriously?
"You bet, growing up in a family that works in the movie industry makes you feel a bit more proletarian. I feel like I'm a small part of a team, that's how I relate to my job. I know it'll sound very pretentious, but the entertainment industry doesn't attact me. I don't want to be part of that..I just want to make movies that are important".
- In your relationship with Robert Pattinson, would you say there's rivalry in your work, or rather emulation?
"There's no rivarly or competition. I'm very proud of him. Basically, we're both learning".
Translation rainbowclimber_ | Via Itsoktobeyouorg
torsdag 18 april 2013
#OTR Cannes New/Old Kristen's Interview With Fotogramas (Spain)
Kristen Stewart, a girl like othersFotogramas The Kristen Stewart we met in Cannes at the premiere of 'On the Road' is different. More daring, more free. And she does not renounce her fame. She knows what is the reason for her success: she's like her fans, that's why they like her. She tells us why she's a girl like the others.
Kristen Stewart (Los Angeles, 1990) has the look of an iconic person. At just 22, she has gotten into the skin of several legendary figures of the past and present. As Joan Jett of The Runaways (Floria Sigismondi, 2010), she approached the punk rock of the 70s to a young audience. With Snow White and the Huntsman (Rupert Sanders, 2012) breathed a contemporary determination to the heroin by the Brothers Grimm. And as Bella Swan in the pentalogy Twilight Saga she became the Juliet of a new generation. Now, in On the Road, an adaptation of the legendary novel by Jack Kerouac, Stewart plays Marylou, the lively travel companion of Sal Paradise and Dean Moriarty. And despite all this history, she is still a young retracted girl finding her way to the microphones of journalists and the flashes of photographers, who she amazes -or desconcerts- with explosives looks. With her meet with FOTOGRAMAS at the Cannes Film Festival, the actress wears a shirt with the single cover of 'Picture This' of Blondie (design by Dolce & Gabbana), black mini-shorts, high heels and an orange Balenciaga leather jacket. There you have it.
"Each time I find out that is less hard for me to stand in front of a microphone," the actress confesses with that fast and choppy talking that has converted her in the perfect embodiment of post-adolescent angst. "Some time ago, I worried too much about protecting my privacy and I didn't know how to mark the boundaries. With the time, I have been adapting myself, letting out a little. Also, everything changes when you get to promote something you believe deeply in, as with my role in On the Road." Stewart tries to project a serene image: her words and reactions are restraint, yet her youthful momentum explodes in sudden outbreaks of excitement, as when she exclaims: "I think it's soooo ridiculous when an actor tries to sell himself like someone super interesting! Some people just end becoming their own media product. Before, I had a terrible shame that people could see me that way, so that's why I always tended to show tight."
Learn how to lose control
As with most of the young Americans, the novel On the Road was for Kristen Stewart a mirror in which to dump her longings of adolescence. "I always identified with the character of Sal Paradise, who is mostly an observer. I'm not the type of person who open roads. I am not a natural leader. However, in parallel, the novel awoke the desire in me to grow beyond my limitations, to be a little more like Dean Moriarty or Marylou." Thus, the film directed by Brazilian Walter Salles has allowed Stewart get under the skin of her former spiritual guide. "Many people have the impression that Marylou was used almost as an object for the other characters, but in reality she received as much as she gave." For the actress, the key is how the character laughs. "When Marylou laughs, she does in a expansive and generous way, she wants to give and give for her to receive more and more. I, however, tend to laugh inwardly into myself. That small difference identifies two very different approaches to life," Stewart concludes.
These character differences made Stewart hesitated when approaching to the character of Marylou. "I was worried about not being able to lose control and let it go. Luckily I got it" (laughs to herself). "Usually I distrust of actors who boast that a character has changed them as people, but it is true that sometimes a character can reveal a part of yourself that was hidden. Interpreting Marylou has shown me that I can be like her." In this walk on the wild side of life, Stewart had to assemble a fictional trio with the actors Sam Riley and Garrett Hedlund. "In reality, the trio scene was simpler than the other sex scenes that were more intimate and intense. It was one of the first scenes we shot and was obsessed with talking like the real Marylou: I wanted to imitate the speech they had in the 40s. I was so worried about how my voice sounded that I almost forgot that I was half naked!"
The fame and Twilight
There are a few young actresses who have experienced the fan phenomenon so intense as Kristen Stewart has. What does the actress think about the legion of followers that idolize her fervently? "Celebrities tend to be placed on a different level than the rest of the people, but I would like to tell my fans: You love me because we are alike! We are equal!"
The message could be read as a call for help: it should be easy to live under the watchful eyes of the fans ... and the paparazzi.
Meanwhile, from the questioned altar that offers fame, Kristen Stewart feels any responsibility towards her followers? The actress appears cautious. Is aware that Marylou in On the Road-a girl eager to experience the spiritual and sexual freedom- is not an exemplary character in the traditional sense of the term: "People are free to choose their role models. I think if you're not old enough to see and understand a film like this, you should not see it."
And speaking of fans, it is impossible not to look back and remember the passing of Stewart by that whirlwind teen that was The Twilight Saga. "I vividly remember the moment when I realized it would be more successful than I expected," says the actress. It was at Comic-Con San Diego 2008: "I expected an intimate encounter with fans, I was convinced I had starred in a strange little film. And then suddenly appeared 6,000 followers absolutely dedicated! It was surprising and shocking." A star was born.
¿The maturity of the star?
There is no doubt that the work of Kristen Stewart in On the Road is a leap of complexity and maturity in the career of the young star. However, the actress maintains that her decisions "do not respond to a master plan: I have not too much tactful with regard to the design of my career." Stewart acknowledges that "my participation in The Twilight Saga has overshadowed the rest of my work," such as her role as Jodie Foster's diabetic daughter in Panic Room (David Fincher, 2002), his work on the orders of Sean Penn in the drama Into the Wild (2007) or his foray into the generational drama Greg Mottola's hand moving in Adventureland (2009).
To argue that hers is not a sudden turn, Stewart claimed other jobs that she did that involved committed thematics: "At just 13, I starred Speak (Jessica Sharzer, 2004), a film about the trauma that was dragging a girl who had been raped. Maybe I was so young to make a film like that, but I changed as an actress and it revealed the true potential of cinema. And then there's Welcome to the Rileys (Jake Scott, 2010), where I was a stripper teenager. If that is not an adult film" ... Stewart ends.
Via LSR | Translation woahrobsten | Itsoktobeyouorg
torsdag 28 mars 2013
måndag 15 oktober 2012
tisdag 9 oktober 2012
fredag 5 oktober 2012
tisdag 2 oktober 2012
BBC "OTR" Interviews with Kristen, Sam + New Scenes #Cannes
Kerouac's On The Road makes 'long journey' to film
BBC
More OTR UK Clips http://www.femalefirst.co.uk/movies/On+The+Road+Clips-259850.html
lördag 29 september 2012
onsdag 26 september 2012
måndag 3 september 2012
fredag 10 augusti 2012
torsdag 9 augusti 2012
Scans: Kristen Stewart in Marie Claire USA- September 2012 #OTR
HQ:
ICYMI: Preview and more bts pics HERE | label On the Road Cannes 2012
Source: fashionscansremastered
fredag 3 augusti 2012
#OTR US Release Date On 21/12/2012
Thanks to my bitching here and on Twitter, I was pointed by KstewAngel to thisGarrett Hedlund page saying On The Road is slated for a December 2012 release in the U.S.
That was helpful, but I wanted more specificity and a primary source. So, I went directly to IFC Films and found that they list the U. S. release date as December 21, 2012 (that's a Friday here in the U.S.).
Hallelujah! At least we don't have to wait until 2013. Hopefully, Railroad Square in Waterville, Maine will carry it (if not the big chains), so I can see it on the release date and report about it here on The Daily Beat.
thedailybeatblog thanks @KstewAngel
That was helpful, but I wanted more specificity and a primary source. So, I went directly to IFC Films and found that they list the U. S. release date as December 21, 2012 (that's a Friday here in the U.S.).
Hallelujah! At least we don't have to wait until 2013. Hopefully, Railroad Square in Waterville, Maine will carry it (if not the big chains), so I can see it on the release date and report about it here on The Daily Beat.
thedailybeatblog thanks @KstewAngel
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