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fredag 6 juni 2014

New Rob Interview with News Australia


“It’s not really about the physicality,’’ said the former Twilight heart-throb today ahead of the red carpet premiere of dystopian Outback thriller The Rover at the Sydney Film Festival on Saturday night.

“Those leading guy roles are all extremely confident characters and I am just not confident. I would feel weird faking that confidence.

“The action guy who does the little quip at the end of killing somebody? I would sound like a psycho.”


Pattinson said he and co-star Guy Pearce, with whose character he forms an uneasy alliance in The Rover, had compared notes.


“We’re not really considered for those normal leading man roles — well, maybe I was for a little period after Twilight. I guess I gravitate towards niche things but also those are the things I get offered.”

Pattinson, who spent a month on location in South Australia while filming David Michod’s hotly-anticipated follow-up to Animal Kingdom, says the closest he is ever likely to come to playing a classic leading man is his role as T.E. Lawrence in Werner Herzog’s Queen of the Desert, which stars Nicole Kidman.

“I was playing Lawrence of Arabia! They are huge shoes to fill,” he said.

“I think it was my most challenging role so far. It was certainly the scariest, even though I only had a few scenes.”

The 28-year-old actor said Kidman was very different to how he expected she would be.

“I guess maybe I saw her as quite untouchable. I was only in Morocco for about 10 days, but she is really funny and super accessible — just hanging out with her kids.
“She was really easy to work with. I really liked her.”


Pattinson, who was photographed coming out of an LA gym immediately prior to boarding the plane to Australia, puts his relatively recent conversion to treadmills down to age.

“When you get to your late 20s, you start turning to fat. It’s crazy. You actually have to think about what you eat. It’s so annoying,” he said. “I thought it would happen a bit later.”


Source: NewsAustralia via: rplife

New 'The Rover' Spot

New Rob Interview with VSD Magazine from Cannes

A Hardworking Pupil

The former vampire of The Twilight Saga was one the starS in Cannes where he presented The Rover, a radical road movie. 

"I'm starting to like it". Outside, a huge wind is sweepinp across La Croisette. But this time, Robert Pattinson is not responsible. They are real blast of winds that are trying to destroy the tent that has been set up on the terrace in the Palais des Festivals. The actor will trigger off a tornado in the evening while he was going up the stairs for the midnight screening of The Rover. Since the selection of Cosmopolis last year [in 2012], Pattinson feels at home in Cannes "When I saw the reactions to the film, I thought I was on the right path. I started to be recognized as a true actor, not as the Twilight hearthrob anymore."

However we won't see The Rover as a mere excuse to achieve it. The movie made by the Asutralian director, David Michôd, known for Animal Kingdom, should stay as one of the striking alien movie this year. We discover an Australia burdened by an economic apocalypse, a guy (Guy Pearce who is aweseome) angered by the robbery of the only thing he had: his car. The quest to get it back becomes an obsession. And the corpses are going to add up. We think a lot to Mad Max, another post apocalyptic australian delirium and we are admirative in front of the project's radicalism. (A few words but a lot of driving). Nihilism to which Pattinson, with rotten teeth, contributes. We'll soon find him with another crazy director, Werner Herzog "I will never deny the Twilight era. But I love the cinema. I'm currently buying tons and tons of DVDs, in order to improve my movie culture. In front of Herzog, I behaved like a fan. I still have a lot to learn."

Scan & Translation: therpattzrobertpattinson via: rplife

torsdag 8 maj 2014

Official Cannes Premiere Dates for #TheRover, #MTTS & #SilsMaria

The official 67th Annual Cannes Film Festival Screening Schedule has been released, confirming the premiere dates and times for 'The Rover', 'Maps to the Stars' and 'Sils Maria'. 


'The Rover' to premiere on Monday May 18th at the Grand Theatre Lumiere

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'Maps to the Stars' to premiere on Monday May 19th at the Grand Theatre Lumiere

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'Sils Maria' to premiere on Friday May 23rd at the Grand Theatre Lumiere

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Source: Cannes via rplife

New Clip from 'The Rover'


Source: Indiewire via: rplife

New Info on 'The Rover' US Premiere

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From theroverfilm:

We reached out to The Rover distributors about The Rover premiere in the states. They let us know that a red-carpet premiere with cast attending will take place in Los Angeles the week of the US theatrical release. The Rover opens in LA and NYC on June 13th so the premiere will take place during the week of the 9th. Specific date and theater location will follow post-Cannes. The Rover opens nationwide June 20th

onsdag 7 maj 2014

Rob to Attend the Sydney Film Festival for 'The Rover' + New Stills & Production Notes


Time Out SydneyPattinson will join the film’s star, Guy Pearce, and writer-director David Michôd at the State Theatre for the film’sAustralian Premiere on Saturday June 7. A futuristic thriller from the maker of Animal Kingdom, The Rover is one of 12 films in this year’s Official Competition.

Inside 'The Rover': 
On Sunday 8 June, Sydney Film Festival and Vivid Ideas present an exclusive event bringing together director David Michôd, producer Liz Watts and actors Guy Pearce and Robert Pattinson, to explore the process behind creating this dystopic, desert-noir thriller and engage in an audience Q&A, moderated by film critic Margaret Pomeranz.

Source: sydfilmfest - sff via: robstendreams
Production Notes

Development and Implementation - David Michôd talks about casting Rob as Rey (Page 6)

The next step was to build a cast around Pearce that Michôd felt confident in. The global success of Animal Kingdom opened doors for him in Los Angeles, and he was in the privileged position to be able to audition some heavyweights. Working with Casting Director Kirsty McGregor, and Lava Bear’s President of Production Tory Metzger, Michôd spent a lot of time reviewing the work of various actors, so by the time he auditioned Robert Pattinson he had worked out what he wanted for the character of Rey. Michôd had never seen a Twilight film and wasn’t overly familiar with Pattinson, but upon meeting together in LA, and after his audition Pattinson quickly became his favourite for the role. Recalls Michôd: “His performance in the tests was really great and real and moving. What I also liked about him was that it was really quite evident to me from our first conversation that he really wanted to do it.”

About the Production - Rob talks about filming in isolated locations in Australia (Page 7)

The remote location was a welcomed retreat for the cast: Publicans Phil and Maz, who manage The Marree Hotel that housed the cast and crew, explain: “(The town folk) are intrigued about the development of the movie, but as far as high profile actors go, they wouldn’t really know them if they tripped over them.” 

Given the isolated location (there was only one phone line and no mobile phone reception), a sense of camaraderie developed between the locals, cast and filmmakers. Pattinson summarises the experience: “It’s really interesting. I’ve never shot anywhere like this before, there’s just nothing for miles and miles and miles. I think it’s really fun to work with a crew in a tiny little town where everybody’s hanging out with each other all the time. You develop a great bond, and I haven’t had that for a while. You don’t get that so much with big studio movies.”


The Story and Its Primary Characters 

- Details about Rey, Rob's character, and the movie, Rey's accent and he actually speaks some Mandarin (Page 9)

The Rover is set in a degraded world, about 10 years after a severe Western economic collapse. In a period Michôd likens to a Gold Rush or, the more contemporary periods of unrest in Sierra Leone, DRC and Guinea, the mines are one of the only industries still fully operating in Australia principally to feed the still growing economies of China and other Asian centres, and people from all corners of the globe have crawled out to work in and around them. 

With harsh economic times comes a desperate struggle for survival, and this world has dragged hustlers and criminals out to the margins of this mining world. In what is almost a de-evolution of humanity, people are forced to do whatever they need to in order to get by. Pearce expands: “The world has really fallen into mayhem. It’s desperate, and I think it’s totally possible that our world could go that way… I think The Rover is just a version of how it could have gone wrong or how it could go wrong.” 

Watts agrees that the desperation of the world of the film is a potentially realistic one: “The world of the film is really relevant given the economic collapses in 2008, and Australia has survived that crisis in part because of exports to China and the strength of its mining.” 

Michôd explains: “There is a strong sort of Asian flavour in the film but, I wanted it to feel like people have come from everywhere, from all corners of the world.” Rey is a southern American who has travelled with his older brother Henry to Australia to work in the mines. Pattinson and Scoot McNairy are the only American accented characters in the film, but a lot of other accents join them, including Mandarin, Cambodian and of course, Australian. Pattinson’s character speaks some words of Mandarin, and Manyimo, who plays Caleb, has a New Zealand/Zimbabwe accent in real life which Michôd chose to keep this in the film. It was important for the world of the film that accents play across nationalities

- Rob and Guy talk about their characters and their relationship (page 9-10)

The story is a seemingly simple one; it follows the physical journey of the two main characters, Eric (PEARCE) and Rey (PATTINSON), as they embark on a road trip to find Rey’s older brother Henry (MCNAIRY). But the subtle plot gives reign to the emotional development of the characters, and this can be seen predominantly through the union of Eric and Rey. Their journey together becomes an intensely emotional one, as the unlikely acquaintances are forced to deal with their own inner turmoil. The film’s setting is full of people forming some kind of pairing in order to survive and Eric and Rey will join them. 

When we first meet Eric at the start of the film, he has basically reached the end of the line. As the world around him has disintegrated, Eric too has disintegrated. Pearce explains: “We find him at an extreme low point… He has nothing left in his life… The lack of justice in this world has eaten away at him.” 

Eric is, from the beginning, on an individual journey of sorts. His car is his one last possession and it carries a deep personal significance for him, so when it is stolen by a trio of petty criminals, he sets out on a ruthless mission to get it back – whatever the consequences. Eric has lost all hope and does not care about anything or anyone in this world. His hunt for his car is as much about his need for some kind – any kind – of momentum as it is about his attachment to the car itself. 

At the point the two meet, Rey’s journey is about survival. In the bloody aftermath of a heist gone wrong, Rey has been abandoned by his older brother, Henry, and friends, Archie and Caleb, who have left him to die on the side of the road. Upon finding Rey, Eric makes it his mission to seek the medical help Rey needs to survive so he can lead him to Henry and his vehicle. And so their journey together along a dusty and dangerous road begins. 

Pearce explains: “We certainly see initially how vulnerable Rey is in the world, particularly as he’s injured and he’s been left behind by his brother. Eric really has no interest… he has not one iota of compassion for this kid. He purely is using him to get back what he needs.” So the two men are forced to stick together out of necessity. 

Pattinson describes Rey as “a dependant who has been protected by people his entire life, but he has also burdened them, and he thinks that he can’t really live as an independent person. He’s a little slow, and very, very needy, and he feels like he needs people to look after him all the time.” 

Throughout the film, there are several developments that progress Eric and Rey’s emotional journey. Pearce says,“Eric finds some sparks of life and love, ultimately through Rey, that don’t necessarily wake him up and change him or give him any sense of hope or positivity, but they kind of confuse him because he’s lived for so long now in a very depressed state… We see the power shift a little bit, and we actually see that Eric starts to feel something for this kid, and that is not good for Eric. He hasn’t felt anything for anybody for 10 years or so, so it becomes a really complex scenario for him.”

Summary of the Production Notes
  • Page 3 - Synopsis - One line synopsis, short synopsis and long synopsis
  • Page 4 - Note from Director David Michôd
  • Page 5 - Development & Implementation - David Michôd, David Linde and Liz Watts talk about the movie's pre-production and casting process.
  • Page 7 - About the Production - Cast and crew talk about filming in Australia and post production
  • Page 9 - The Story and It's Primary Characters - Cast and crew talk about the movie's story, background and Eric and Rey's relationship
  • Page 11 - About the Cast - Rob's biography is on page 12
  • Page 16 - About the Filmmakers
  • Page 21 - Credits
Poster  Now in HQ

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New Large Still

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New UHQ Still 

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Source: PDF - theaustralianreporter Via: Gossipgyal - rplife

torsdag 17 april 2014

MTTS, COSM and The Rover to Premiere at the 2014 Cannes Film Festival

The 67th Cannes Film Festival runs from May 14 to May 25. And it's official, 'The Rover', 'Maps to the Stars' and 'Clouds of Sils Maria' will all be premiering at the 67th Cannes Film Festival. 

'Clouds of Sils Maria' has been selected as an Official Selection In Competition.

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'Maps to the Stars' has also been selected as an Official Selection In Competition.

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'The Rover' is not in competition however it will have a special midnight screening 

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According to the official press release, the running time for... Maps to the Stars is 1h51, The Rover is 1h40 and Sils Maria is 2h03.

And according to Roadshow Films Press Release, Rob will be attending the Cannes Festival for 'The Rover':
“THE ROVER TO DEBUT AT THE 2014 CANNES FILM FESTIVAL 
The Rover has been invited to Premiere at the 2014 Cannes Film Festival. It will be presented in the Official Selection: Out of Competition. 
Writer and Director David Michôd will now join a long line of filmmakers who first screened at the Cannes Film Festival in this category. 
Michôd (best known for writing and directing the critically acclaimed Animal Kingdom) will be in attendance at the films international debut. He will be joined by leading man Guy Pearce (Animal Kingdom, Prometheus and Lawless) and co-star Robert Pattinson (Water for Elephants, Cosmopolis and Bel Ami).It has also recently been announced Michôd will write and direct the forthcoming production The Operators to star and be produced by Brad Pitt. 
Roadshow Films Managing Director, Joel Pearlman said “David Michôd has created an extraordinary film. We congratulate him, the Producers, Cast and Crew on this incredible achievement. Cannes remains the leading light among film festivals and this is a well deserved honour for The Rover.” 
To coincide with this announcement Roadshow Films have released an Australian exclusive film poster. 
The Rover will be released in Australia on the 12th of June 2014 by Roadshow Films.”
 Source: RoverPressRelease - CannesPressRelease - Tweets | via - via 

'The Rover' New Trailer, Posters & Stills


UHQ French Poster

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Large English Poster

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HQ Poster

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HQ Still

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MQ Still

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“THE ROVER TO DEBUT AT THE 2014 CANNES FILM FESTIVAL 
The Rover has been invited to Premiere at the 2014 Cannes Film Festival. It will be presented in the Official Selection: Out of Competition. 
Writer and Director David Michôd will now join a long line of filmmakers who first screened at the Cannes Film Festival in this category. 
Michôd (best known for writing and directing the critically acclaimed Animal Kingdom) will be in attendance at the films international debut. He will be joined by leading man Guy Pearce (Animal Kingdom, Prometheus and Lawless) and co-star Robert Pattinson (Water for Elephants, Cosmopolis and Bel Ami).It has also recently been announced Michôd will write and direct the forthcoming production The Operators to star and be produced by Brad Pitt. 
Roadshow Films Managing Director, Joel Pearlman said “David Michôd has created an extraordinary film. We congratulate him, the Producers, Cast and Crew on this incredible achievement. Cannes remains the leading light among film festivals and this is a well deserved honour for The Rover.” 
To coincide with this announcement Roadshow Films have released an Australian exclusive film poster. 
The Rover will be released in Australia on the 12th of June 2014 by Roadshow Films.”
Source: 1 - 2 - 3 - 4 | via rplife 

onsdag 9 april 2014

News:"The Rover" French and Belgian Release Date on June 4th


Metropolitan_Fr  Blackout Total / The Rover / Les Voies du Destin : découvrez les dates des prochaines sorties Metropolitan Films 

  •  *We finally have the definitive french release date! June 4th will happen very soon! Can't wait to see the trailer and see you on April 17th to discover if the movie is selected for Cannes!*

måndag 17 mars 2014

'The Rover' US Release Date Pushed Up to June

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No one #roverreact now – we just pushed up the release date for @TheRoverFilm to June!

Previously schedules to be released in July, 'The Rover' US Release Date has been pushed up to June 13th for NYC and LA with a nationwide release date scheduled for June 20th. 

Source: A24Films via rplife

fredag 28 februari 2014

News: "The Rover" US Release Dates

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“The Rover” will roll into theaters via limited release on July 18 before opening wide on July 25.

“The Rover” is set in a world 10 years following the collapse of the western economic system, where Australia’s mineral resources have drawn the desperados and dangerous to its shores. With society in decline, the rule of law has disintegrated and life is cheap. The film follows hardened loner Eric (Pearce), who travels the desolate towns and roads of the Australian outback. When a gang of thieves steals his car they leave behind the wounded Rey (Pattinson) in their wake. Forcing Rey to help track the gang, Eric will go to any lengths to take back the one thing that matters to him. thewrap

fredag 7 februari 2014

Mission: Blacklist #QOTD "The Rover" and Life at the #EFM - European Film Market







EFM "The Rover" | "Life" screenaustralia
Via /ToR

UPDATE:
Maps to the Stars Listed on eOne Film's EFM Line Up (Sarah Gadon Still)


Mission: Blacklist: Listed on Embankment Film's EFM Line Up

Queen of the Desert
Variety mentions 'Queen of the Desert' in an EFM article:

Berlin will see a pair of queens up for sale: “Queen of the Desert” repped by Sierra/Affinity with helmer Werner Herzog attached, and Atom Egoyan’s “Queen of the Night,” being sold by Entertainment One Intl., starring Ryan Reynolds.

Here is 'Queen of the Desert's' page on Sierra/Affinity's site

The Childhood of a Leader
Screendaily mentions 'The Childhood of a Leader' in an article about Protagonist Pictures' movies at EFM:

Protagonist’s EFM slate includes anticipated new period dramas Testament of Youth, produced by David Heyman and starring Alicia Vikander, and The Childhood of a Leader, which has Juliette Binoche, Tim Roth and Robert Pattinson attached.

Here is the article on Protagonist Picture's website about handling 'The Childhood of a Leader' international sales

However, Rob's name is not on Embankment Film's page for Mission: Blacklist anymore.

ETA2: Rob's name still can be seen on the "Synopsis" part of the page, only the "cast" section has been removed.

Via RPLife

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