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fredag 3 december 2010
torsdag 2 december 2010
torsdag 2 september 2010
lördag 24 juli 2010
torsdag 22 juli 2010
EW: Kristen's retro sunglasses in 'Eclipse' + NEW movie still
When Eclipse premiered June 30, I knew Style Hunter would be inundated with questions about Bella, Edward and the rest of the Cullen clan’s clothing choices for months to come. But nothing from the film garnered as much as attention as the cat-eye sunglasses Bella wore while visiting her mom in Florida.
I went straight to source and spoke to Eclipse‘s costume designer Tish Monaghan, who revealed that these retro shades were actually just a pair of lower-priced knock-offs that Kristen Stewart picked out of 100 different options collected by props master Grant Swain.
To save you the hassle of trolling the streets for our own off-the-sidewalk pair, we’ve handpicked three similar style options that’ll help you copy Bella’s retro look:
Proenza Schouler’s extended cat eye sunglasses ($290; lagarconne.com) Ray-Ban’s “Cats 1000″ sunglasses ($170; asos.com)
Fred Flare’s “Bridget” sunglasses ($11; fredflare.com)
Dying to find something you spotted on TV or in a movie? Email stylehunter@ew.com and visit the Pop Style area of EW.com to see what we’ve found.
EW via kstewrobfans
måndag 19 juli 2010
onsdag 7 juli 2010
A BTS look at the Battle training scene in 'Eclipse' (Video - Article + New Still)
If you’ve seen The Twilight Saga: Eclipse, odds are you left raving about the wolves — particularly the scene in which Jacob, in wolf form, saddles up to Bella during the training sequence. It’s one of the moments Phil Tippett — a two-time Oscar winner for Jurassic Park and Return of the Jedi whose visual effects house, Tippett Studio, handled the wolves for both Eclipse and New Moon — is most proud of. “That was an unusual thing for us in that most of the time, we are doing these ‘god awful animals start tearing each other apart,’” Tippett told us recently, phoning from England where he’d just celebrated Ray Harryhausen’s 90th birthday. “So it was great to have a quiet moment. A tender scene that telegraphs a budding and suppressed relationship was tricky. In fact, the entire training sequence was difficult in that the wolves do nothing. A bunch of wolves standing around watching vampires train and trying to portend some kind of anxiety was tricky. It’s tricky for any actor when you have to carry a certain part of the scene where you do nothing, because you have to figure out a way of filling up the nothing with something.”
It was important to Eclipse director David Slade that Taylor Lautner actually film that scene with Kristen Stewart so she was able to establish eye contact with him instead of with a golf ball that could’ve been used as an eyeline and painted out later. The wardrobe department dressed Lautner in a neutral grey leotard and hoodie — primarily so his skin tone wouldn’t bounce back onto Stewart and create lighting issues when Wolf Jacob was added, Tippett says. We, however, like to believe someone was already thinking about the DVD extras. That will be great, won’t it?
The tender moment was made more challenging by the fact that Slade had a different vision of the wolves than New Moon director Chris Weitz. For starters, Weitz wanted the wolves to have their actor’s eyes. “He kind of wanted the performance to feel like the wolf behavior was being filtered through a human brain,” Tippett says. Slade wanted the wolves to have wolf eyes to de-anthropomorphize them. “David wanted the performances to be more feral, twitchy, and agitated. He wanted to see wolves that were more photographically representational, which had to do with things like getting more hair follicles, making the paws smaller.”
The believability of the wolves was equally crucial in the climactic fight sequence with the newborn vampire army. “We had to come up with a rationale for what happens when a 1,300-pound wolf that’s running 35 miles an hour crashes into a newborn vampire [played by an actor that weighs 165 lbs], how we justify that,” Tippett says. “David allowed us the transgression of saying, ‘Well, let’s just say that the newborns, since they’re not made of human material but some kind of a more marble-like material, have an actual mass of something like 500 pounds, so they have a lower center of gravity.’ And that allowed us to begin thinking about how to make all of that palpable, without thinking that they’re existing in two different physical universes.” Watch a clip of how that action gets put together below.
Which wolves did you prefer: New Moon‘s or Eclipse‘s?
EW via kstewrobfans
onsdag 30 juni 2010
onsdag 23 juni 2010
tisdag 8 juni 2010
onsdag 2 juni 2010
måndag 31 maj 2010
söndag 30 maj 2010
New interview: "Robert Pattinson: He’s a lover and a fighter" + NEW Edward/Bella Still
The love stuff comes easy to Robert Pattinson by now. What the actor’s most worried about is how his fight scenes with bigger, brawnier Taylor Lautner will look in the third Twilight movie, Eclipse.
Grisly deaths plague Seattle. Vampires fight werewolves. Vampires and werewolves unite to battle, um, badder vampires.
Apparently, the filmmakers are doing all they can to make Eclipse, the third movie in the Twilight saga, appealing to boys. But we all know this series is really about the relationship between dreamy vampire Edward Cullen and his human love, Bella. And the core female audience should have plenty to moon over when the second sequel hits screens this month, just seven months after the last entry, New Moon.
“In New Moon, Edward tries to deal with the relationship and, sort of, fails,” Robert Pattinson, who plays Cullen, says in an L.A. interview. “In Eclipse, it really is the everyday rigmarole of having a relationship, and dealing with jealousy and pettiness.”
Kristen Stewart, who plays Bella, says it’s not that simple. After all, her character is still torn between Edward and the feelings she has for her lifelong friend, Native American lycanthrope Jacob Black (Taylor Lautner). “Bella now has to actually be able to stand up and say, okay, so maybe every choice isn’t completely impulsive,” explains Stewart in a separate L.A. interview. “Maybe there are different levels of love, and maybe my ideological views of what I think you are to me are wrong, and maybe I could look at somebody else.”
That said, it still seems Eclipse offers more for the guys than just a good bet the movie will put their dates in a romantic mood. The film was directed by David Slade, who last time out made the gory vampire action thriller 30 Days of Night. Slade is, perhaps, a bit more attuned to what men want than Twilight director Catherine Hardwicke (The Nativity Story) and Chris Weitz (About a Boy, The Golden Compass), who helmed New Moon.
“Different worlds collide in this one,” says Stewart. “We make it more dangerous every time.”
This time out, the lissome, ethereal-looking Pattinson has to get more physical with the pumped-up Lautner, and he just hopes audiences buy their fight scenes.
“There is a bunch of fighting,” says the 24-year-old Brit. “In the most simplistic of ways, trying to be intimidating to Taylor is just physically humiliating. In one scene, I tried to grab him and his shoulder was too big! That was embarrassing.”
While physical strength may not be Pattinson’s, well, strength, he does have an uncanny ability to brood and smoulder in a way that drives the ladies nuts. But while it works well on-screen, that low-key nature can also come off as aloof, even falsely self-deprecating, off-screen. And Pattinson’s the first one to admit it.
“The problem is, mainly, that I’m really finicky about looking pretentious for some reason,” he says. “I think, because I haven’t done too much work and I’ve become so, kind of, big, people have a hyper-judgment of you. I always thought the best way to deal with that is just to kind of play down everything. But I never saw the result of that being people saying, ‘Why can’t you just shut up? We’re so sick of the humble act. When’s he going to stop pretending to be humble?’”
Eclipse
As of this article’s writing, it had yet to be decided whether Stephenie Meyer’s fourth and final "Twilight" novel, "Breaking Dawn", would be made into one or two films. Either way, production should start in Vancouver (where New Moon and Eclipse were shot) this fall. “British Columbia is great,” says Pattinson. “Everybody always talks about how easy it is to make movies in Vancouver because no one cares if anyone’s around. And it really was like that with New Moon. It was so easy, there was never any hassle about going out or anything. But it changed a little bit on the third one. “But,” he adds, “there are a bunch of nice restaurants in Vancouver, and it’s a really cool city.”
The pair views the impending end of the film series with mixed feelings. On the plus side, it will likely put the brakes on the intrusive tabloid scrutiny they’ve endured. So far, at least, Twihard fans have expressed little interest in Stewart and Pattinson’s non-saga movies (like The Runaways and Remember Me, respectively), and the paparazzi will likely thin out once they have nothing left to obsess over, such as those still unproven rumours of a real-life romance between the handsome pair.
Then again, they may not know what to do — or what they’ll be able to do — when the post-Breaking break comes.
“I think it’s good that I’ve just been working this whole time,” Pattinson says of the past two years. “You don’t go out and do that much when you’re shooting anyway, because you’re just so tired all the time. So it hasn’t been that incapacitating. But it’s been difficult to figure out where to live and stuff; I mean, the idea of getting a house… If people are always waiting outside your home, then you might as well sell it.
“And I miss just randomly dropping into clubs and playing music,” adds the actor, who pursued a recording career before moviemaking proved more lucrative. “That’s annoying. But really, you can still do anything you want to do; it’s just the fear of judgment afterward.”
In keeping, perhaps, with her screen persona, Stewart, now 20, sounds more torn about the series’ conclusion.
Eclipse
“The interesting thing about wanting it to come to an end is not because you want the experience of it to end,” Stewart says. “The experience that I get from it is so different from what press and media or fans or whatever see. I actually get to make the movies. Most of the questions I hear are about how specifically my life has changed because of that, but that’s really sort of extra. I didn’t know that that was going to happen. I’ve never had more opportunity in my life and I’ve worked really hard for it. So I’m really grateful.”
As for Eclipse, Stewart says that, whether they’re seeking monster action or are hungry for unattainable love, viewers are in for a taste of — believe it or not — reality.
“It matures, basically,” she says. “It takes a really ideal story and makes it a little more cerebral. It’s like, so what if you actually had to do this? It takes away the fantasy element a little bit and shows you that it’s not so, sort of, dreamy.”
Source via RPLife
lördag 15 maj 2010
torsdag 13 maj 2010
onsdag 12 maj 2010
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